Georges, who hosts a TV literary review, receives packages containing videos of himself with his family — shot secretly from the street — and alarming drawings whose meaning is obscure. He has no idea who may be sending them.
Gradually, the footage on the tapes becomes more personal, suggesting that the sender has known Georges for some time.
Georges feels a sense of menace hanging over him and his family…

Award For Best Director, Cannes Festival, 2005

fipresci Prize, Cannes Festival, 2005

prize Of The Ecumenical Jury, Cannes Festival, 2005

best Screenplay, Prix Lumieres, 2005

eurimages Prize, Seville Film Festival, 2006

diagonale Grand Prize For Best Austrian Film, Diagonale Film Festival, Vienne, 2005

best Screenplay, Pyongyang Festival, 2006

special International Jury Prize, Durban Festival, 2006

closing Film, Official Selection, 2006

meeting Point Europe Award, Cinematik Piest’any Festival, 2005

international Critics Prize, Audience Award For Best Photography For Christian Berger, Manaki Brothers International Cinematographers’ Film Festival, Skopje, 2006

best Foreign Film, Los Angeles Film Critics Association Awards, 2005

best Foreign Film, San Francisco Film Critics Circle Awards, 2005

best Foreign Language Film, Chicago Film Critics Association, 2005

nomination For Best Foreign Film, Broadcast Film Critics Association Awards, 2006

best Foreign Independent Film, British Independent Film Awards, 2006

goldener Kader For Best Cinematography For Christian Berger, Austrian Association Of Cinematographers Awards, Vienne, 2005

zlota Tasma For Best Foreign Film, Polish Filmmakers Association, 2005